Director: Serdar YILMAZ.
In a family made up of a grandmother, daughter and a 9-year old granddaughter, granddaughter is forced to eat. The moral supporter of this little girl who feels contented about her games and within her own world, is a man behind the curtain only visible to her and no one has any clue whether this man is real or imaginary. While the Fried Chicken is a monstrous and aversive thing for the little girl, it turns in to a four - meter -long avant-garde object that is pulled over by the (same) man behind the curtain under cheers in an isolated corner (street) populated by the homeless.

Director: Pierre Yves Clouin.
Once Mars is colonized, we must go to Alpha Centauri. - Ray Bradbury

Director: Pierre Yves Clouin.
Once Mars is colonized, we must go to Alpha Centauri. - Ray Bradbury

Director: Javier Mrad.
Once upon a time. Old magazines gently dance in the wind. A super-8 camera crawls over a wooden table while an old carpet flows in and out. Suddenly, a mouse. Then, a whole civilization running towards its inevitable destiny. Plastic waste has reached the point where not even the most distant beaches are safe.

Director: Stephane Goldsand.
Faced with his wife's desire to become a mother, a filmmaker goes on a quest to find out how people decide to have kids and identify the sources of his own hesitation. What emerges is an intimate story, peppered with humor and poignancy, where memories and present moments converge in an effort to redefine a couple's future. LEAP BEFORE YOU LOOK is a first-person short documentary that combines various storytelling styles, including vérité, interviews, narration, animations and family archival material.

Director: Karlos Alastruey.
An exploration of different feelings of a young woman: joy, fear, envy, perplexity, ecstasy, hate; a map of a human heart.

Director: Robert M. Herzog.
Based on an almost true but entirely surreal experience. In 1968, a college senior tries to finish his Harvard Law School Application, which would keep him from being draft bait, likely to fight in the Vietnam War. Fong and his roommates start making enormous paper airplanes, get stoned, set the planes on fire and launch them from a precarious roof. At the end of an intense, frenzied evening, a final decision propels Fong into an uncertain, potentially lethal future. Flights depicts the intense pressures of an era when ordinary rites of passage could have life and death consequences. It is a timely exploration of the impact of America at war, amidst a conflict between citizenship and morality.

Director: Pierre Yves Clouin.
Que sera sera What will be, will be

Director: Ferenc Moldovanyi.
“Expanding upon themes he explored in Children: Kosovo 2000 (SDFF 24), Ferenc Moldoványi’s latest documentary is at once hypnotically beautiful and acutely disturbing. Shot over a two-year period in four countries on four continents—Ecuador (South America), Mexico (North America), Democratic Republic of Congo (Africa), and Cambodia (Asia)—Another Planet unfolds as a cinematic tone poem in the tradition of Koyaanisqatsi, exposing the unequal distribution of wealth around the world as a major humanitarian crisis. Framed by pastoral sequences in which a Tarahumara shaman imparts a dream of paradise on earth, the film moves quickly and seamlessly between the lives of seven children inextricably linked by their shocking and tragic experiences of daily exploitation and abuse. We meet lonely, aimless urchins, barely eking out a living on the streets. We see child laborers toiling in brick factories, garbage dumps, and brothels, only to be beaten when business is down. And perhaps most harrowing of all, we get to know the child soldiers of Congo as they are turned into killing machines. Throughout this journey, Moldoványi’s unwavering vision reminds us of the eternal coexistence of beauty and horror all over the world. Informed by the haunting cinematography of Tibor Máthé as well as Tibor Szemzö’s ethereal soundtrack, Another Planet crosses cultural boundaries to forge a commentary on the human condition as damning as it is open-ended.” 31st Starz Denver International Film Festival Official Catalogue "This globe-spanning film hits hard on many levels—visually, intellectually, emotionally. Beautifully shot in Ecuador, Mexico, Africa and Asia, Moldoványi’s film presents images that sparkle in the eye even as they punch you in the heart. Moldoványi introduces us to children in Cambodia, Ecuador, Mexico and the Democratic Republic of Congo, each of whom is struggling to survive. Working long hours, often in dangerous and dirty conditions, these children show us a side of existence that many have never seen or even imagined. While many in the US hold childhood as a special and protected time of nurtured innocence, this film reminds us all that for many children life is a brutal and precarious game of survival. With subjects that include children scavenging dumps for recyclables, child soldiers and child sex workers, this film offers a sympathetic and unblinking eye. The children themselves are our strongest storytellers, and they open up to Moldoványi’s camera to give us their own perspective. Their frankness astonishes as they talk matter-of-factly about their jobs and the consequences of not earning. The children either are at the mercy of adults—often the parents who force them to work and beat them when they don’t earn enough—or have been abandoned by adults altogether. While the film is not a gentle journey, it imagines a better world, a greater one. The filmmaker relies on your humanity and empathy to be moved by these children, while never directly suggesting a call to action. This film offers an unprecedented opportunity to explore another planet, a trip definitely worth taking." SILVERDOCS: AFI/Discovery Channel Documentary Festival