Director: Alberto Masliah.
ERNESTO (36) arrives at Trelew, Argentina, from Germany, where he had been living since he was three years old. His grandparents had taken him to Germany after his parents disappeared during the military dictatorship. Now, Ernesto has returned for the first time to his native country to take charge of the negotiations his grandfather had been conducting with an Argentine wool company, until his recent death. When Ernesto arrives at the airport, memories of his last moments with his parents come flooding back. These disorganized and incomprehensible flashbacks affect him to the point of causing him to faint. Once in the hotel room, he goes to the scheduled meeting. There he meets MR. OSCAR QUIROGA, one of his grandfather’s oldest friends. He gives him a picture in which Quiroga himself appears with Ernesto’s grandparents and father, then a little boy. This is the first photograph he has ever seen of his father, because his grandparents, afraid of hurting him, had concealed his parents’ past in Argentina from him. In the picture he can also see a country house that he had never heard of before and which belonged to his grandparents called “Schafhaus.” The following day, Ernesto is supposed to come back to Germany, but he can’t take his flight due to a pilots’ strike. With the excuse of selecting the wool bales he has bought, Ernesto rents a car and drives south to the Patagonia, but his real goal is to find the place shown in the picture. In the car he finds a children’s book telling the story of a little sheep called Anita who travels back home. Unknowingly, Anita’s story will lead him to his goal. On the way, Ernesto has an accident and seeks help at a nearby gas station. There he meets FLOR, the owner, and ÉRICA who lives in a motor-home near the gas station. Erica is a divorced anthropologist and mother of MARTÍN, a teenager. Because of his accident, Ernesto is forced to live with them, and little by little he begins to open up, and tells them his story. As Ernesto and Martín feel so closely identified with each other, they soon become friends. With Érica, instead, tension begins to build up, due to the mutual attraction they gradually start to feel. This brings Ernesto into trouble with GERARDO, the town’s mechanic and Érica’s boyfriend. During his stay in the town, Ernesto puts his wool selection meetings to good use –he does everything he can to try to find “Schafhaus.” Later on, he runs into a mysterious MAPUCHE OLD LADY who deeply moves him when she calls him by his father’s name. Ernesto sees in her the chance to find what he is looking for, but everybody persuades him to forget all about it, as they say the woman is mentally deranged. Having finished his negotiations, and without any hope of finding the place, Ernesto starts planning to go back to Germany. But one day, to his surprise, he notices the children’s story found in the car mentions the place he has been looking for and therefore could be the key to “Schafhaus.” So Ernesto decides to pay a visit to the story writer, GEORGINA, without suspecting she was a good friend of his mother’s. This knowledge shakes Ernesto’s whole existence. It’s only then when he is able to reconstruct his memories of the last moments he shared with his parents. Georgina, who has been in touch with Ernesto’s grandfather for the last thirty years, gives him the keys to “Schafhaus.” In the end, Ernesto goes to the place he has been looking for. It is there, in his grandparents’ country house, the place where his father grew up, where Ernesto finally reconstructs his own story.

Director: Pierre Yves Clouin.
Que sera sera What will be, will be

Director: JUAN PABLO ETCHEVERRY.
THE BIGGEST FLOWER IN THE WORLD is a text of rare beauty, full of symbols and enigmas, for children who grow up in a world split by individualism, where there is no hope and violence and lack of ideals are the norm. There are two messages, one for the children (discovery, bravery and altruism) and another for all men and women who ask themselves about their place in the world.

Director: Gertjan Zwanikken.
The documentary Meat the Truth is the first major project undertaken by the Nicolaas G. Pierson Foundation. Meat the Truth is a high-profile documentary, presented by Marianne Thieme (leader of the Party for the Animals), which forms an addendum to earlier films that have been made about climate change. Although such films have convincingly succeeded in drawing public attention to the issue of global warming, they have repeatedly ignored one of the most important causes of climate change, namely: intensive livestock production. Meat the Truth has drawn attention to this by demonstrating that livestock farming generates more greenhouse gas emissions worldwide than all cars, lorries, trains, boats and planes added together. The Nicolaas G. Pierson Foundation chose to compile the best scientific information on climate change and livestock farming, which is presently available and to translate this for a broader audience. The film was produced by Claudine Everaert and Gertjan Zwanikken. The calculations on greenhouse gas emissions used in the film derive from and have been validated by the Food and Agricultural Organisation of the UN (FAO), the World Watch Institute, the Institute for Environmental Studies of the Free University Amsterdam and numerous other authoritative sources. Well-known Dutch celebrities, such as Anthonie Kamerling, Georgina Verbaan, Henk Schiffmacher, Yvonne Kroonenberg, Karen van Holst Pellekaan, Wim.T.Schippers and Dolf Jansen, participated in the making of the Dutch version of this documentary, which has already been deemed better than Al Gore’s An Inconvenient Truth by the science editors of the quality Dutch daily newspaper, the NRC Handelsblad. In the meantime, the Nicolaas G. Pierson Foundation has also produced an international version of Meat the Truth. This English language film is better tailored to an international public and uses calculations on the carbon savings that may be achieved by reducing one’s meat consumption based on American, rather than Dutch, examples. Many well-known celebrities, such as Pamela Anderson, Bill Maher, James Cromwell, Emily Deschanel, Tony Denison, Esai Morales, Megan Blake, Debra Wilson Skelton, Elaine Hendrix, Kate Flannery, Carol Leifer, Joy Lauren, Hal Sparks, Constance Marie, Kristina Klebe, Skyler Gisondo, Graham Patrick Martin, Greg Vaughan and Touriya Haoud Vaughan, participated in the making of the international version of the film. With this documentary, the Nicolaas G. Pierson Foundation hopes to make a contribution to the societal discussion about a more plant-based and thus also more animal-friendly diet and society. Moreover, the Foundation also anticipates that the film will provide a showcase for prominent scientific reports about livestock farming and climate change, which unfortunately have thus far proved inaccessible to the general public. The world premiere of Meat the Truth was held on 10th December 2007 in the Tuschinski cinema in Amsterdam. The international version of the film premiered at London's Odeon West End Cinema in Leicester Square on 19th May 2008 and has since also had its premiere screening in the USA at the Egyptian Theatre, Hollywood, LA during the Artivist Film Festival on 3rd October 2008.

Director: PAULINE MULOMBE.
The movie is the story of three trendy girls from Africa living in Brussels. In the next 48 hours, these sisters will have to face all their complexes and darkest secrets.Nothing new there, but how an African mother whom the culture and values can be in complete opposition will react to what her daughters have in store to her. This movie is about tolerance anThis movie is about tolerance and communication between 3 young women and a mother from a different era.