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Budapest
The Budapest-based Titanic International Film Festival, presenting the most daring and innovative pieces of international film production every year since its foundation in 1994, suddenly has to face a frustrating financial situation. Hungary's biggest and most significant international film event, or iginally planned between 7 - 17 April this year, was informed only two weeks before its opening night that it had been denied the government grant the festival had been receiving in the past 18 yea...
Director: Koutaiba Al-Janabi.
Leaving Baghdad is a road movie that follows Sadik, the personal cameraman to the leader Saddam Hussein, at the end of the nineties. Sadik is trying to escape the grip of the regime, being pursued from country to country, encountering smugglers and crooks on his journey. Sadik suffers from paranoia and constant fear. The Iraqi secret police are after him because he is carrying evidence of the atrocities committed by the regime. Sadik is dreaming to go to London, to join his wife who is, however, unwilling to help. In his despair and loneliness, Sadik writes letters to his son, Semir. These letters turn into a confession and reveal Sadik's past and the real reason for his fleeing , the endless waiting and his paranoia.
The nine members of the international jury - organisers of queer and other film festivals - view films within the framework of all programs of the Berlinale which have queer context.
Three films are nominated for each category and one receives a TEDDY for best feature film, best documentary/essay film and the best short film, each with a cash award of €3,000.
Members of the Jury:
Marcus Hu (President of the TEDDY AWARD Jury) Strand Releasing, Culver City...
Jan Schomburg's ÜBER UNS DAS ALL/ABOVE US ONLY SKY from Germany has been awarded the Europa Cinemas Label as Best European Film in the Panorama section of the Berlinale, it was announced today by a jury of four exhibitors - the seventh year the Label has been awarded in the section.
ÜBER UNS DAS ALL/ABOVE US ONLY SKY will now receive the support of the Europa Cinemas exhibitors who commit themselves to extend the length of its run on screen and additional promotion across t...
FULL IMMERSION INGMAR BERGMAN
The subject of the Berlinale Retrospective this year is legendary Swedish filmmaker Ingmar Bergman. The Festival is presenting more than 60 of his taboo-breaking films, including such classics as SUMMER WITH MONICA, THE SEVENTH SEAL, THE VIRGIN SPRING, WINTER LIGHT, PERSONA, HOUR OF THE WOLF, CRIES AND WHISPERS, AUTUMN SONATA, FANNY AND ALEXANDER and his final film SARABAND. Three of Bergman's actress collaborators have also been in town to introduc...
It has become something of a truism that the biggest stars -in whatever field- are the nicest, most easy-going people to meet.The dozens of film legends I have had the privilege and pleasure of meeting, professionally or socially,have all displayed a generosity of spirit, and a curiosity, that seemed to be commensurate with their commitment to their craft, and passion for the art of cinema, as well as its industry, whether their careers were spent before or behind the camera, or -as seems inc...
It barely happens on a film festival that both the student and the main jury golden prize being won by the same film. It explains all that without doubt there was one film above the rest in the competition that experts agreed on to be the best. In 2010 on the 6th BuSho festival this is exactly what happened: the Russian made ‘The last day of Bulkin’ took all main prizes in the Vörösmarty cinema. An employee of some society works house-to-house. He’s going to people who have to die this d...
Twenty film professionals from more twelve different countries will make up the 6 competition juries for films screening at the main programme of the 14th Black Nights Film Festival which runs from 24th November – 5th December 2010.
Concentrating on films from Europe and Asia, the International Competition EurAsia Jury will award a Grand Prix and jury prizes for Best Director, Actor and Actress from a diverse and excellent selection of competition films. The jury is made up of...
Student Etudes Competition presents etudes selected from among
360 films submissions sent by film schools and students from all over
the world. The competitive films will be judged by an international Jury
comprised of the recognized personages of film industry:
Joel Schumacher (Jury Chairman) - director, writer, producer, Flatliners, Falling Down, The Client, Batman Forever, The Number 23
Andrzej Bartkowiak - cinematographer, director, The Verdict, Falling Down, Leathal Weapon, ...
The 26th Warsaw Film Festival ended on Sunday, 17 October 2010.
“I feel great satisfaction after this year’s festival. Our programme included about twenty European and international premieres. More than a hundred filmmakers from Europe, Asia, Africa, Australia, and the Americas visited us to present their films in person in Warsaw. We had waited for some of them for years, to mention Jan Sverak, double Oscar winner, or Alexei Uchitel, whose new film The Edge is Russia’s Oscar candidat...
The 26th Warsaw Film Festival ended on Sunday, 17 October 2010.“I feel great satisfaction after this year’s festival. Our programme included about twenty European and international premieres. More than a hundred filmmakers from Europe, Asia, Africa, Australia, and the Americas visited us to present their films in person in Warsaw. We had waited for some of them for years, to mention Jan Sverak, double Oscar winner, or Alexei Uchitel, whose new film The Edge is Russia’s Oscar candidate this...
20 film professionals from more than 12 different countries will make up the 6 competition juries for films screening at the main programme of the 14th Black Nights Film Festival which runs from 24th November – 5th December 2010. Concentrating on films from Europe and Asia, the International Competition EurAsia Jury will award a Grand Prix and jury prizes for Best Director, Actor and Actress from a diverse and excellent selection of competition films. The jury is made up of David Willis (USA),...
Interview with Endre Hules!
ME: Hi Endre. First, can you speak about how you got into acting, writing and directing? In which order did you start and when did you know that you had to make films?
ENDRE: I started out in the theatre as an actor, but almost immediately began writing and directing, as well. I studied acting, then I completed a degree as a director at the National Conservatory of Theatr...
Kung-Fu Magyar?A comedy. A story of friendship and rivalry. A kung-fu film without a fight. Huh? Confused? You won't be after listening to Bence Miklauzic, talking about his new film, Children of the Green Dragon, one of the most popular films this week among audiences at the Warsaw Film Festival.Hungarian film director Bence Miklauzic is forty years old. And his second feature film, Children of the Green Dragon, had its European debut this week at the Warsaw Film Festival. Just back from the ...
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25th Warsaw International Film Festival
9-18 October 2008
Total audience: 108,000
Cinemas: Multikino (4 rooms), Kinoteka (5 rooms), Kultura (1 room)
Audience Award
- best feature film: two films received exactly the same mark for the first time ever - 4.77. In the feature film category, the joint winners were:
DOM ZŁY / THE DARK HOUSE, dir. Wojciech Smarzowski (Poland)
and WELCOME, dir. Philippe Lioret (France).
In the documentary category, the winner was HASHMATSA / DEFAMATION, dir. Yo...
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by Quendrith Johnson, Los Angeles Correspondent Documentary films are supposed to wake us up -- usually to some strange sub-culture (read: the world of Baby Beauty Pageants or Professional Eating Contests) -- to give a glimpse at how remarkably bizarre human beings can be. Typically with films, we're allowed to become voyeurs, stare agape at the amusing spectacle of mankind. Not so with TORN FROM THE FLAG, filmmaker Klaudia Kovacs' chronicle of the 1956 October Revolution in Hungary that...
Director: Ferenc Moldovanyi.
“Expanding upon themes he explored in Children: Kosovo 2000 (SDFF 24), Ferenc Moldoványi’s latest documentary is at once hypnotically beautiful and acutely disturbing. Shot over a two-year period in four countries on four continents—Ecuador (South America), Mexico (North America), Democratic Republic of Congo (Africa), and Cambodia (Asia)—Another Planet unfolds as a cinematic tone poem in the tradition of Koyaanisqatsi, exposing the unequal distribution of wealth around the world as a major humanitarian crisis. Framed by pastoral sequences in which a Tarahumara shaman imparts a dream of paradise on earth, the film moves quickly and seamlessly between the lives of seven children inextricably linked by their shocking and tragic experiences of daily exploitation and abuse. We meet lonely, aimless urchins, barely eking out a living on the streets. We see child laborers toiling in brick factories, garbage dumps, and brothels, only to be beaten when business is down. And perhaps most harrowing of all, we get to know the child soldiers of Congo as they are turned into killing machines.
Throughout this journey, Moldoványi’s unwavering vision reminds us of the eternal coexistence of beauty and horror all over the world. Informed by the haunting cinematography of Tibor Máthé as well as Tibor Szemzö’s ethereal soundtrack, Another Planet crosses cultural boundaries to forge a commentary on the human condition as damning as it is open-ended.” 31st Starz Denver International Film Festival Official Catalogue
"This globe-spanning film hits hard on many levels—visually, intellectually, emotionally. Beautifully shot in Ecuador, Mexico, Africa and Asia, Moldoványi’s film presents images that sparkle in the eye even as they punch you in the heart. Moldoványi introduces us to children in Cambodia, Ecuador, Mexico and the Democratic Republic of Congo, each of whom is struggling to survive. Working long hours, often in dangerous and dirty conditions, these children show us a side of existence that many have never seen or even imagined. While many in the US hold childhood as a special and protected time of nurtured innocence, this film reminds us all that for many children life is a brutal and precarious game of survival. With subjects that include children scavenging dumps for recyclables, child soldiers and child sex workers, this film offers a sympathetic and unblinking eye. The children themselves are our strongest storytellers, and they open up to Moldoványi’s camera to give us their own perspective. Their frankness astonishes as they talk matter-of-factly about their jobs and the consequences of not earning. The children either are at the mercy of adults—often the parents who force them to work and beat them when they don’t earn enough—or have been abandoned by adults altogether. While the film is not a gentle journey, it imagines a better world, a greater one. The filmmaker relies on your humanity and empathy to be moved by these children, while never directly suggesting a call to action. This film offers an unprecedented opportunity to explore another planet, a trip definitely worth taking."
SILVERDOCS: AFI/Discovery Channel Documentary Festival
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