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Baltic Event announces 2018 Co-Production Market selection





16 projects will be presented in the official selection of the Co-Production Market taking place on November 27-30, 2018, at Industry@Tallinn & Baltic Event during Tallinn Black Nights Film Festival. The market's 17th edition contains stories of both personal and political repression, touches on mental health issues, and features a number of films about female connection.

Leana Jalukse, Baltic Event Co-Production Market Manager:
"As always, we welcome both established filmmakers as well as promising debutants, and we are delighted to have earned the trust of a string of very experienced producers. It was a challenge making a selection from all the high-quality submissions."

Estonian After Hours, a multiplot following a life-changing night of three sisters, is the second collaboration by director Priit Pääsuke and producer Marianne Ostrat, whose former projects have screened at Venice, San Sebastian, and Karlovy Vary. Another female-centric film comes from our Focus Country Italy, with Cartacrespa by debut director Michele Codarin telling a tale of friendship between two women from vastly different backgrounds. Chemistry by debut director Adina Dulcu, backed by established producer Tudor Giurgiu, Libra Film Productions, Romania, continues on the theme, portraying the story of a woman whose individual fight evolves into an ideological one in a deeply polarised environment.
Women are also the main characters in two films exploring the teenage years - French-Finnish A Girl's Room by Aino Suni is a thriller about love and manipulation, while Finnish Inari Niemi's Light Light Light sees a woman on a journey to her adolescence - the summer, which ended in the suicide of her lesbian lover. LGBTQ vs ideology continue to be the main themes in Youri by Sander Burger, the Netherlands, which follows a talented Russian pianist emigrating from the Soviet Union in fear of certain persecution. Similarly, Hungarian Erasing Frank by debut director Gabor Fabricus portrays a talented musician, whose career is destroyed and who is driven to fight his war for freedom from a psychiatric ward in the 1980s. Another artist in peril is Comrade Dona, a Romanian sculptor abducted during a stop-over in North Korea, in the film by director Igor Cobileanski and producer Iuliana Tarnovetchi, whose previous collaboration Eastern Business was presented at BE 2012 and brought home two awards from the official competition of Tallinn Black Nights Film Festival in 2016.
Politics and mental issues continue to play a role in Kristina Grozeva and Petar Valchanov's Triumph, the third part of a trilogy based on true events. Icelandic Quake by yet another debut director Tinna Hrafnsdóttir tells a harrowing tale of a mother concealing her memory loss in order to keep the custody of her son - as a first, the project was also selected to compete in Script Pool Tallinn this year. Oxygen by Ernestas Jankauskas from Lithuania portrays a woman suffering from anxiety disorder, another issue of critical importance to communicate to the audiences. And Polish Patagonia by debut director Aga Zwiefka, who has won a string of awards for her documentaries, features a dystopian world, in which suicide is a crime.
More stories of individuals crushed by the system come from Ukraine, with Zenith by Igor Stekolenko being a psychological thriller about a talented surgeon losing his career after a wrongful accusation, and Finland, with The Oasis of Now by debut director Hamy Ramezan, who has won a string of awards for his short films, and Jussi Rantamäki, who produced Cannes award winner The Happies Day in the Life of Olli Mäki, telling a story about a family of refugees about to be deported. An equally poetic story of migration is Wedding on My Street, a feature film debut by Shota Gamisonia, Georgia, and the theme of broken families is continued in Latvian Lovable by director Stanislavs Tokalovs and successful producer tandem Alise Gelze and Aija Berzina.


A Eurimages Co-Production Development Award worth 20 000 Euro will be handed out by a jury consisting of Emma Scott, Production and Distribution Manager, Screen Ireland, Ireland; Jeremy Zelnik, Head of Industry, Les Arcs Film Festival, France; Giovanni Pompili, Producer, Kino Produzioni, Italy.
In addition, one project will receive the Screen International Best Pitch Award, offering coverage of the life-cycle of the winning film, and two producers will receive the Cannes Marché du Film Producers’ Network Award for Promising Young Producer with free accreditations to next year’s edition.


Baltic Event Co-Production Market selection 2018

After Hours
written by Kristo Kaas and Mart Raun, directed by Priit Pääsuke, produced by Marianne Ostrat, Alexandra Film, Estonia

written by Michele Codarin, Michele Cogo, Nicola Lucchi, Sara Olivieri, and Massimo Vavassori, directed by Michele Codarin, produced by Fabiana Balsamo, Quasar Multimedia, Italy

written and directed by Adina Dulcu, produced by Tudor Giurgiu, Libra Film Productions, Romania

Comrade Dona
written by Filip Columbeanu, directed by Igor Cobileanski, produced by Iuliana Tarnovetchi, Alien Film, Romania

Erasing Frank
written and directed by Gabor Fabricius, produced by Gabor Ferenczy, FocusFox, Hungary

A Girl's Room
written and directed by Aino Suni, produced by Sébastien Aubert, Adastra Films, France

Light Light Light
written by Juuli Niemi, directed by Inari Niemi, produced by Oskari Huttu, Lucy Loves Drama, Finland

written and directed by Stanislavs Tokalovs, produced by Alise Gelze, Tasse Film, Latvia

The Oasis of Now
written by Hamy Ramezan and Antti Rautava, directed by Hamy Ramezan, produced by Jussi Rantamäki, Aamu Film Company, Finland

written by Birute Kapustinskaite, directed by Ernestas Jankauskas, produced by Gabija Siurbyte, Dansu Films, Lithuania

written and directed by Aga Zwiefka, produced by Izabela Igel, Harine FIlms, Poland

written and directed by Tinna Hrafnsdóttir, produced by Hlín Jóhannesdóttir, Ursus Parvus, Iceland

written by Kristina Grozeva, Decho Taralezhkov, and Petar Valchanov, directed by Kistina Grozeva and Petar Valchanov, produced by Kristina Grozeva, Abraxas Film, Bulgaria

Wedding on My Street
written and directed by Shota Gamisonia, produced by Vladimer Chikhradze, LTD 20 Steps Productions, Georgia

written by Bastiaan Tichler, directed by Sander Burger, produced by Denis Vaslin, Volya Films, Netherlands

written by Olga Reka and Igor Stekolenko, directed by Igor Stekolenko, produced by Natalia Libet, Digital Religion, Ukraine

Supporters and partners of Industry@Tallinn & Baltic Event are Creative Europe MEDIA Programme, Eurimages, Cultural Endowment of Estonia, Estonian Film Institute, Lithuanian Film Center, National Film Centre of Latvia, Finnish Film Foundation, Polish Film Institute, Tallink Hotels, Nordic Hotel Forum, Cannes Marche du Film’s Producers’ Network, Post Control, Baltic View, EAVE, Torino Film Lab, MIDPOINT, In Focus, Screen International, Festival Scope, Creative Gate, Shanghai International Film Festival, Tallinn City Enterprise Department, European Regional Development Fund and Tallinn Black Nights Film Festival.



The Great Bear (Suuri karhu) by Jan Forsström, 2017 Eurimages Co-Production Development Award winner 



For additional information please contact:
Marge Liiske
Managing Director
+372 514 8134

For more information about projects please visit Industry@Tallinn webpage














Our address:

Tallinn Black Nights Film Festival

Telliskivi 60A

Tallinn 10412






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About Tallinn Black Nights Film Festival

Started in 1997, the Tallinn Black Nights Film Festival has grown into one of the biggest film festivals in Northern Europe and busiest regional industry platforms, hosting more than 1000 guests and industry delegates and over 160 journalists. The festival screens around 250 features and more than 300 shorts and animations and sees an attendance of 80 000 people annually. In 2017 the festival was covered in 71 languages with a potential global media audience of over 1.1 billion people.

As of 2014 the festival holds the FIAPF accreditation for holding an international competition programme which puts the festival into the so- called A-category of film festivals, alongside other 14 festivals in the world (including Cannes, Berlinale, Venice, Karlovy Vary, San Sebastian, Shanghai, Tokyo etc).  

Black Nights has an umbrella structure with two sub-festivals PÖFF Shorts and youth and children's film festival Just Film taking place concurrently with the main festival,
two off-season festivals - Haapsalu Horror and Fantasy Film Festival and Tartu Love Film Festival - and a fully-fledged film industry platform Industry@Tallinn, organised jointly with the Baltic Event Co-production market.

Black Nights Film Festival 16 Nov - 2 Dec
PÖFF Shorts 20 Nov - 25 Nov
Just Film 16 Nov - 2 Dec
Industry@Tallinn & Baltic Event 26 Nov - 30 Nov



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