by Quendrith Johnson, Los Angeles Correspondent

There was a time when Sofia Coppola could be at an awards show and overlooked as a famous daughter; not anymore, not for years now since LOST IN TRANSLATION.

But in her new film, THE BEGUILED, which is a retool of a 1971 Clint Eastwood starrer, she really comes of age as a visionary writer/director. Even in what is considered a remake of a movie based on a novel by Thomas Cullinan, it has a distinctive feel that's all hers. The film opens June 23 in New York and LA, wider on June 30.

With an all-star cast that includes Nicole Kidman, Colin Farrell, Kirsten Dunst, and Elle Fanning, you get a sense of why this movie won Best Director at the 2017 Cannes International Film Festival. Picture a Southern all-girls boarding school during the battle-weary Civil War era, and a wounded enemy soldier appears. John McBurney (Colin Farrell) adds testosterone to a very delicate and well-mannered yet highly complex microcosm of women led by a formidable Headmistress named Miss Martha (Nicole Kidman).

“This is my dream cast,” Sofia Coppola admits. “When I was writing it, I was picturing Nicole as Miss Martha. She always surprises me. Watching her, I’ve never seen anyone like that, she does so many different things at once.” She adds that the whole cast is on a par with Kidman. You want to use a word like confection for the ethereal feel, but that description doesn’t do justice to the depth of rich multi-layered images that float on the screen like Spanish moss.

“This is very much a Sofia film,” Colin Farrell explains. “It’s very much aesthetically beautiful. She wrote every word of this. Her way feels maybe more right than some [as far as directing], there’s an immense lack of tension on the set, very playful. She’s incredibly easygoing and generous to her core it seems.”

Farrell is underscoring the fact that a remake can often feel like a re-do of someone else’s vision. But if you look at the 1971 version, two minutes into the film, Eastwood is literally hitting on a twelve year old, with “not too young for kisses.” And even though the fabulous Geraldine Page stars as his Miss Martha, there’s a creepy feel to their interplay, down the line.

So that’s essentially the breaking point for the 2017 Beguiled. It takes a left turn at the way the heightened sexual tension is framed.

“I didn’t know the movie and I watched it, and it really stayed in my mind. I watched it. It was so weird, and I thought ‘how would I do my version?’” I thought it would be interesting to do the same story but from the female characters' point of view.”

Elle Fanning, who plays Alicia, describes her character as kind of an empowered seductress, but still innocent in a real way. “Anything Sofia does I think is incredible, it was also like, ‘yeah.’ Because it was all these girls and women — and Colin of course— they hold the power.”

“The original film had been made from a guy’s point of view, so I went back to the book. Because I just liked the premise,” Coppola adds. “It’s such a crazy, extreme premise about power between men and women in such an extreme situation. The idea of looking at wartime from the point of view of the women left behind.”

“You try to make it personal. Try to relate to the characters because it’s such a different time. And yet I loved that it had elements that were familiar to me, this feminine beautiful world. A beautiful feminine world with violence and very gothic.”

“My tendency is to be on the subtle side. Colin was teasing me: ‘Oh, this is an action movie to you, there’s guns... there’s blood.’ It’s been fun to have this mix of beautiful dresses and a little gore. We had smoke machines everyday, and candlelight… a really ethereal look that is specific to this story.”

“Colin is a good sport about being our sex object in the movie, but he has to be dangerous and threatening, and romantic in the movie.” Farrell plays a mercenary soldier paid $300 off the boat from Ireland to fight as a Yankee, so he's neither North nor South, but emblematic of the unspoken ever-present struggle for control between the sexes.

When the crushing attractions flare up between Farrell’s character and the many flavors of female in this strange closed world hunkered down  under siege of musket fire in a distance, Beguiled really poses some interesting questions about how women express their sexuality. Yet there’s a brutality to their mannered world that Farrell’s soldier-on-the-mend only begins to realize when it’s too late.

Not that every movie needs a memorable line, but when his John McBurney yells out “You Vengeful Bitches,” in a thick Irish accent, it’s an instant classic. Probably because Nicole Kidman’s Miss Martha is so poised and possibly inherently evil at the same time, in a nice way.

Kirsten Dunst, who plays wronged love interest Edwina, sums up Sofia Coppola’s deft directing hand best, as “she doesn’t second guess herself. I’ve known her for so long, I’m working with my friend, you can’t really beat that.”

Since he is outnumbered in this eerie thriller, Colin Farrell gets the last word. “I’m surrounded by extraordinary talent. Watching these extraordinary women do extraordinary work. There’s an amazing sense of camaraderie. It’s been a joy.”

Don’t miss what the women have in store for their wounded houseguest, it’s a very rewarding fight to the finish.

Focus Features awards-buzzworthy film THE BEGUILED rolls out in New York and Los Angeles on Friday, June 23, with wider release on June 30.

Directed by Sofia Coppola (“Lost in Translation,” “Somewhere”)

Written by Sofia Coppola, based on the novel by Thomas Cullinan and the screenplay by Albert Maltz and Grimes Grice

Starring Colin Farrell, Nicole Kidman, Kirsten Dunst, Elle Fanning, Oona Laurence, Angourie Rice, Addison Riecke, Emma Howard.  

93 Minutes I Rated R

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