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Martin Scorsese Masterclass in Cannes

 

 

 

Marie-Pierre Macia

This is her second year in charge of the selection Directors' Fortnight, which she shares with Jacques Gerber and Christine Ravet. Her ideal reason for selecting a film: un coup de coeur, the process of falling in love with a film. Every time you see something that's really good, your faith and hope are reborn. It happens all the time. My only real fear is of not spotting a film that's of superior quality.What is the specific orientation of the Directors' Fortnight?

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Chatelin Bruno
(Filmfestivals.com)

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Bruno Chatelin Interviewed

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