Doctor Parnassus

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The latest film by Terry Gilliam had its world premiere in Cannes, and opened to excllent reviews.

This is particularly good news for the producers and sales company that were platforming the sales in Cannes.

"Especially considering the trauma and difficulties stemming from Heath Ledger's death during production and the fact that Terry Gilliam hadn't directed a good picture in more than a decade, the helmer has made a pretty good thing out of a very bad situation in "The Imaginarium of Doctor Parnassus." Synthesizing elements from several of his previous pictures, including "Time Bandits," "The Adventures of Baron Munchausen" and "The Fisher King," the often overreaching director addresses a mad hatter of a story with the expected visual panache and what is, for him, considerable discipline. With Ledger onscreen more than might have been expected, the film possesses strong curiosity value bolstered by generally lively action and excellent visual effects, making for good commercial prospects in most markets." says Variety

THE IMAGINARIUM OF DOCTOR PARNASSUS is pure, unadulterated, unhomogenized, unrestricted Terry Gilliam. You see the best of all of his past work, including a scene (involving cops) that could have pranced right out of Python sketch. A return to form? Yeah, I think you could say that. It's certainly a welcome return to fantasy, especially when we're given such a flawed character as Tony to be our lead.

I can see why Ledger was attracted to this role. Without giving anything away, you'll think you know exactly where they're going with him and his character about a quarter of the way through the movie and I'm telling you right now... You're dead wrong. Let's just say this character would not exist in a studio film.
says ain't it cool

Terry Gilliam has always seemed like the last apostle of unfettered fantasy in an age insistent on prosaic reality. The Imaginarium Of Dr Parnassus is a typically staunch defence of the transformative power of the imagination and its ability to change the world.

This is the purest expression of Gilliam's distinctive sensibility in a long while, complete with outbursts of Pythonesque humour, entrancing dream landscapes, strange creatures, a dapper devil and a wise midget. It is an incredibly rich stew of a film and an often wilfully eccentric proposition for a mainstream audience.